Canon 20-D for sale [sold]

I'm selling my Canon 20-D. It's an 8 megapixel camera from 4 years ago and I'm the original owner. I can't say it's been babied - I've taken it a lot of places and taken a lot of great photos with it. It has a very small ding in the side, near the Compact Flash door but other than that it's just scuffs here and there. It just came back from a clean-and-check at Canon's service center so it's good to go. It includes two batteries, the charger, the box, everything that came in the box, etc. No lens, no Compact Flash card. Well, I guess I could throw in a 2 GB compact flash card...

I'm looking to get $300 for it, based on completed eBay auction prices. I could settle for a little less for a friend.

This thing takes some pretty good pictures. In fact, there's no real reason to sell it, other than I don't need 3 cameras very often. It was my upgrade from the original Rebel and I was blown away by the responsiveness and speed of it.

Let me know if you're interested.

UPDATE: I sold it.

Robert Cameron died on Tuesday

Robert Cameron died in San Francisco on Tuesday. He's responsible for the "Above..." series of books, including "Above Hawaii", Above San Francisco" and about 10 others. After selling over 2.5 million copies of the Above series, he's got to be the most prolific and well known aerial photographer in the world. An obituary is here, but this much better article says a lot more about him. I love that his photography really picked up after a full career in a different field but I REALLY like how active he stayed all the way to the end. That's the way to live life!

My parents always had a copy of Above Hawaii on the coffee table and I see his books all the time in bookstores (new and used). When I think of aerial photography, I think of him and Yann Arthus Bertrand. Since I'm thinking a lot more about aerial photography these days, I should probably pick up some of his books. (I smell a Christmas list coming on...)

Quick trip to Florida with the ThinkTank Airport Takeoff bag

This weekend was my first cross-country trip for a photoshoot and it went very well.  I've done long trips with photography before but this was the first trip where the whole point was to fly cross-country just to shoot an event and then turn around and come back home.   It was also my first event with a Canon 5-D mkII, and my second event with the Think Tank Airport Takeoff combination roller/backpack.   I want to pass on my thoughts on the trip as well as review the Think Tank roller/backpack. They say to never do a job with new equipment but in this case it was unavoidable.   Due to the last minute booking of my services for the event, the new camera was shipped to Florida to meet me there.  I unboxed the camera for the first time when I checked into my hotel room at 2:00 am Friday night.  (For a Saturday night event.)

Everything with the camera went flawlessly.  It works almost identically to the 40-D so there was zero learning curve.   While editing the shoot at the airport, I could tell that everything looked pretty good.   The depth of field on the full-frame camera is a lot narrower than I'm used to and it's a whole new creative element that I look forward to exploring.

There's a big travel component this trip since Orlando, Florida is a long way away from Santa Clara and there aren't any direct flights out of SJC.  That means a plane change in Denver or LA and it all adds up to a day spent in each direction.  My return flight gets in at midnight so tomorrow might be a bit rough.  I was starting to adjust to Florida time which makes Sunday's arrival feel more like 3:00 am. Monday morning.

The upside to the travel is how well my new Think Tank Airport Takeoff bag is working out.   The size is pretty much perfect - it's international carry-on size which really means that it's a good size for domestic carry-on.  Any larger than this and the flight attendants are liable to make you gate-check the bag through to your final destination and that's not something I want to do with this much valuable equipment.

There are only three downsides I've found to this bag: First, the four-section telescoping handle you use when you roll the bag seems loose and a little flimsy.   This is the only "delicate" thing about the bag.  As soon as you extend the handles you realize there's a lot of play in the sections and a lot of flex.  It seems a little sloppy compared to the precision and durability in every other aspect of the Think Tank products I have.   After loading the bag to capacity and then putting the straps of my other carry-on over the handle (the way the smart travelers make their roller do double-duty by carrying their small duffel) the strain started to worry me.   Time will tell if it can handle to strain or not.

Secondly, the straps are really padded and comfortable which means they kill almost an inch of depth that could otherwise be dedicated to gear.   I don't plan to use the straps very often so they're more of an emergency-use thing for me.  (There was that hotel room in Vietnam that was 7 stories up with no elevator…)  I actually wish the straps were thinner so they would take less space.

Finally, I couldn't figure out for the life of me how to use the rain cover for the bag.  All Think Tank products come with a great custom-fit rain cover and I've had to use them in the past.  This bag comes with a cover but I can't quite tell how it's supposed to go on.   I'm not sure if it's supposed to cover it while it's lying down or standing up but either way it seems to be cut a little too short.

Regardless of those downsides, this bag is carrying a lot.  Two camera bodies, five lenses, a flash, two lens hoods, a laptop, 4 chargers (laptop, new camera, old camera, AA), a card reader, USB cables, ethernet cable, Garmin GPS, and other assorted supplies.   It's a mobile office that let me touch down, arrive on scene, and set up a small office, offloading and processing images throughout the evening.  It even had a space between the dividers that seemed custom-made for a PB&J sandwich The Wife made for me before heading out.

Even with all of that there are a few things that were left behind on this trip so I could get by without checking any bags.   I would have preferred to bring my Think Tank belt system to carry more on my person, and if I had been here any more than two nights I would need to bring more clothes.   The goal of this trip was to be light and quick though, and it worked out OK.

The home computer is cranking away on hundreds of huge files from this weekend and doing a backup run, and I've gotta run myself.  The trip was a huge success and I'll be doing a small review of the 5-D mkII at some point in the future.

Flying with the new 5-D mkII

This afternoon I got a call from my friend Bob asking if I could be at the airport pretty much immediately to tag along for some formation flying practice before the sun went down.  Well, yeah I can be there!   I've been flying in Bob's Lancair before and I remember there not being ANY spare room, so I just grabbed one camera (the new one, duh), one lens (the 24-70, which is absolutely awesome on the full-frame camera), and the GPS and ran.Flying with Bob

I haven't done much aerial photography before other than a quick trip around the playa during Burning Man but I love the perspective you get from a small airplane and I've wanted to try it for a long time.  One of my favorite photo books is African Air by George Steinmetz which is a book of photos shot from very low altitude (less than 1,000 feet) using an ultralight.  I was working on my private pilot's license once upon a time so I'm no stranger to small planes.

Bob's plane is REALLY small.  So small that we had to take out the seat cushions so I had an extra inch or two between me and the bubble canopy.  The Lancair is the airplane equivalent of a Miata, but with more horsepower and less than half the weight.  (You start to realize the sort of performance going on here...)   The cockpit is small enough that the full-size camera with the 24-70 lens was pretty big.

Flying with BobWe flew down South to meet up with Bob's friend in the air and do a couple formation patterns.  Nothing too fancy - joining up, breaking off, gentle turns in both directions.  Meanwhile I was taking shots when I saw something interesting and the gallery below is the result.

I think the shots turned out really well.  I was concerned with how the focusing would work through the bubble canopy but it seemed to work out just fine.  Almost all the shots were in focus and reasonably sharp.  Of course the files are huge and detailed (as you'd expect from a 21 megapixel camera) but what really impressed me is how well the metering and exposure worked out.   It's way better than I've come to expect from the 40-D and it was really nice to not have to massively adjust every file.  The shots in the gallery below are slightly tweaked but even straight out of the camera they look good.

One thing that really struck me is how large the files are.  I consider myself well versed in the art of managing data but this camera is really going to put my to the test.   RAW files weigh in at around 30 Megabytes each, which means this afternoon's little trip cost me 6.5 GB, including about 40 seconds of 1080p video.  My computer was pretty hot stuff a couple years back but it's really slowing down when trying to import and sort even the 250 files from this afternoon.   The 1,100 files from last weekend really threw it for a loop!  Getting a new computer right now is out of the question but some more memory might be called for in order to but down on the swapping.

There's certainly going to be some adjustments to my workflow and my shooting style due to the new camera but that's to be expected.  The full frame experience can't be beat and if I have to buy some more memory or another hard-drive or two, so be it!  In the meantime, take a look at the 20 shots in the gallery below and let me know what you think.

Gallery is Here I'm still working on embedding galleries in blog entries...

We can all exhale now... (1-D mk IV released)

New Canon cameras are semi-well-kept secrets, sort of like new Apple products.   It's usually obvious _when_ cameras are going to be released but unclear _what_ the new features are going to be.  (Except that cameras don't really change dramatically from year to year like Apple products do.) Everyone knew that a new sports camera was coming out tomorrow in Europe (tonight in North America) but we didn't know what it was going to be.   The usual group of rumor websites had lots of theories and finally everything was revealed earlier tonight, as Canon issued a press release and a few videos about the new 1-D mk IV. (worst website ever...)

There's nothing really groundbreaking here - more megapixels (because it's Canon), higher ISO, more video modes, supposedly revamped autofocus system, blah blah blah...  It's just the next model - that's it.  Nothing revolutionary here.  No major UI breakthroughs.  No styling changes.  No really new features.  Just a slight evolution.  At $5,000, its $1,000 more than the last one.

So now that that's done we can all all exhale, read the press releases, and then get back to doing photography.  Happy shooting!  (and editing)

Football!

Sorry for the long silence - it's football season again and that means I'm busy!  I love photographing football even though I think it's the hardest thing there is to photograph well.  It's a live event which means there's no second chance, and it can be pretty unpredictable.  You never know exactly what's going to happen and at the Football Championship Subdivision (Division 1-AA) level things are more likely to get crazy.  Any play can end up with a turnover, a touchdown, a gimmick, etc. It also demands the most expensive equipment, which I don't always have.  I've been renting a 1-D mkIIn recently and it's pretty darn nice, until the lights go down in Spanos Stadium.  There's just no way to get good blow-ups and shadows at ISO 3200 from a four year old camera.  Even after the new stadium lighting before last season, it's still a little too dark in there when there's no help from the sky.

The good news is that those problems will all be gone in a year or two.  The lights aren't going to get brighter, but the cameras are getting a lot better.  I've seen some good looking shots from the new Canon 7-D at ISO 5,000 and Nikon just came out with a camera yesterday that goes to ISO 12,800.  Assuming that 6400 is OK, shooting at Cal Poly should no longer be a problem.  All that great technology will filter down through the product lines soon.  (Hopefully Canon can concentrate on image quality and drop their addiction to megapixels.)

I've shot two games so far (Cal Poly hosting Sac State at home and then Cal Poly visiting San Jose State).  This weekend is Southern Utah at home, which is also Homecoming, so that should be a lot of fun.  I've heard there are still 1,000 tickets available for the game so if you're in SLO, come on down!   The weather should be really nice in the evening and the game should be a lot of fun.  Come see the new scoreboard too!

In other football news, a shot of mine of Miami quarterback Jacory Harris was selected for the Miami media guide.  I shot Miami and Cal in the Emerald Bowl last year and got a lot of good shots.  It's good to see some of them getting some usage.